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      <image:title>UnpackingCabinet - Unpacking “Cabinet”</image:title>
      <image:caption>Pidgin Issue 28 / December 2020 “But, attending to and digging a little deeper into “cabinet” reveals it is a term with other meanings that, as a set, surprisingly swerve between space, object and subject. …The term’s definitions account for not only the substance of the “stuff of life” itself, but also the space that contains it and the subjects that sustain it. An exploration of the architectural manifestations of its meanings over time shows that in its many variations, “cabinet” spatially and perceptually challenges the limits of interiority, expanding its conventional precincts to the infinite and involving a notion of the virtual in ways relevant to the present.”</image:caption>
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    <lastmod>2020-12-22</lastmod>
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      <image:title>See/Saw - 3D printed prototype on permanent display at Wentworth Institute of Technology’s Additive Manufacturing Lab.</image:title>
      <image:caption>February 2019 &gt;</image:caption>
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    <lastmod>2020-12-09</lastmod>
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      <image:title>Operative Design</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847328311-R7PAZDQTBOBSEOWC9YQ3/20140301_Trade-151_0124-copy.jpg</image:loc>
      <image:title>Operative Design</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847327684-2C1WKZU35SCT0ZV1OJOX/20140301_Trade-151_0124-copy.jpg</image:loc>
      <image:title>Operative Design</image:title>
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  <url>
    <loc>https://www.designstudiopm.com/rebuildingattention</loc>
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    <lastmod>2020-12-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfc7aab144227e9ae6aebf/1607527152499-1JQ1VWU5U4VT29GXDP4O/CB170CFD-A4E1-4B43-9D51-AADBD3B594CB.jpg</image:loc>
      <image:title>ReBuildingAttention - (Re)Building Attention: Architecture as Representation, with Responsibilities</image:title>
      <image:caption>PLAT Journal 9.0 - COMMIT / October, 2019 “Architecture, which might best be understood as representations through which to renewably question certain truths, is fit to the task of tuning attention with intention. The claim of architecture as this form of responsible representation encompasses both its images and scaled-down models as well as what its built forms represent in and of themselves.”</image:caption>
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  <url>
    <loc>https://www.designstudiopm.com/theedge</loc>
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    <lastmod>2020-12-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfc7aab144227e9ae6aebf/1608247638376-J30AZ9J381Z2K1W5SY8H/20191113_LOGOS2-10.jpg</image:loc>
      <image:title>TheEdge - Megan Panzano talks about the work of studioPM</image:title>
      <image:caption>Harvard Graduate School of Design, Innovate Lecture Series - sp 2017</image:caption>
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  <url>
    <loc>https://www.designstudiopm.com/anothershadeofgrayspace</loc>
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    <lastmod>2020-12-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfc7aab144227e9ae6aebf/1608303984107-EUBE5AZXMA6YCHGJZNP6/ExpandedViewsWithRooms_FINAL_Page_13B.jpg</image:loc>
      <image:title>AnotherShadeofGraySpace - Another Shade of Gray Space</image:title>
      <image:caption>Harvard Design Magazine No. 47, s/s 2019 “This project exposes that a different form of exhibitionist storage exists, outside of the closet, with another architectural lineage and output. Visual forms of storage - the storage of display - involves space defining things, not space defined by other things. The geneology of this storage reveals gray space…in another, brighter shade.”</image:caption>
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      <image:title>AnotherShadeofGraySpace</image:title>
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      <image:title>AnotherShadeofGraySpace</image:title>
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  <url>
    <loc>https://www.designstudiopm.com/operativedesignforward</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfc7aab144227e9ae6aebf/1608317929794-F5GUX22G61WIOLFOAHEJ/OpDesBack.jpg</image:loc>
      <image:title>OperativeDesignForward - Operative Design, Forward</image:title>
      <image:caption>book authored by Anthony DiMari and Nora Yoo “The power in the operational verbs compiled in this book is that each provide a portal to the abstraction of space. The action potential captured in each simple word unlocks possibilities that, without this ‘key,’ would be obscured by our own widespread and preconceived tropes of the built world.” June 2012</image:caption>
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      <image:title>OperativeDesignForward</image:title>
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      <image:title>OperativeDesignForward</image:title>
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    <loc>https://www.designstudiopm.com/stopmotion</loc>
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      <image:title>StopMotion</image:title>
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      <image:title>StopMotion</image:title>
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      <image:title>StopMotion</image:title>
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  <url>
    <loc>https://www.designstudiopm.com/on-objecthood-exhibit</loc>
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    <lastmod>2020-12-20</lastmod>
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      <image:title>On Objecthood Exhibit</image:title>
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  <url>
    <loc>https://www.designstudiopm.com/displaced-edge-paris</loc>
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    <lastmod>2020-12-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfc7aab144227e9ae6aebf/1608141738509-6IU7ZI6GR5B5VLV42A8J/large_campus2_745c0_adj.jpg</image:loc>
      <image:title>Displaced Edge, Paris - exhibited at Cite de L’architecture, 2010: 12 Campus du 21E Siecle selected by the Minister of Education, France</image:title>
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      <image:title>Displaced Edge, Paris</image:title>
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      <image:title>Displaced Edge, Paris</image:title>
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      <image:title>Displaced Edge, Paris</image:title>
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      <image:title>Displaced Edge, Paris</image:title>
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      <image:title>Displaced Edge, Paris</image:title>
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      <image:title>Displaced Edge, Paris</image:title>
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      <image:title>Displaced Edge, Paris</image:title>
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      <image:title>Displaced Edge, Paris</image:title>
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  <url>
    <loc>https://www.designstudiopm.com/image-building</loc>
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    <lastmod>2020-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fcfc7aab144227e9ae6aebf/1607533898549-FYG5N90ND9GG5VIOKXND/200617_05_anaglyph_SL.jpg</image:loc>
      <image:title>Image-Building - Image-Building: Soane and Architecture’s Interior</image:title>
      <image:caption>The Journal of Architectural Education (JAE) 75:1, Built / spring 2021 Project supported by a Harvard GSD Dean’s Junior Faculty Research Grant, a Harvard University DCF Grant, and the logistical support of the Soane Museum Archive; stereographic images by Megan Panzano with Stephanie Lloyd. “13 Lincoln’s Inn Fields illustrates that the best built work contains architecture’s real artifice: the deception of static completion. Soane constructed an architecture that renders interior space a renewable resource. By breaking down a conventional image and translating its constituent parts through the material of building, he was able to achieve unconventional architecture that perpetuates infinite new images of its form and space.“</image:caption>
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    <image:image>
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      <image:title>Image-Building</image:title>
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      <image:title>Image-Building</image:title>
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      <image:title>Image-Building</image:title>
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  <url>
    <loc>https://www.designstudiopm.com/about</loc>
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    <lastmod>2024-06-25</lastmod>
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      <image:title>About - studioPM</image:title>
      <image:caption>Megan Panzano is Director of studioPM LLC, an award-winning design practice addressing architectures across scales that interplay images, objects, and space to prompt more progressive and diverse ways of seeing, knowing, and interacting with the world.   Through design research and built work, cultural practices and matter at the periphery of life get unusual design attention.  These agents are called into correspondence with architecture, put in friction with familiar elements of the built, and experimented with as a mode of reconsidering norms.  Current obsessions include access to design thinking through boundary objects, techniques of vision and contemporary attention, forms of collectivity generated from practices of object collection, and spaces for unscripted play.  Interested in the tension between architecture’s solidity and the contingent logics of context, occupation, perception, and activity, the designs of this practice intend a register on the edge, making space that is a renewable resource-  rarely the same experience twice.   The work of studioPM has been honored, published, and exhibited in a variety of contexts, both domestic and international. Megan Panzano has been teaching architecture concurrent with practice since 2010. She is Senior Director of Early Design Education and Lecturer in Architecture at Harvard’s Graduate School of Design, where she leads the Harvard Undergraduate Architecture Studies and Harvard GSD Design Discovery programs in addition to teaching design studios, research seminars, a new advanced graduate course on design teaching. /////////////////////////////////////////// Past Team Members:  Emily Majors, Stephanie Lloyd, Sofia Balters, Justin Gallagher, Jihyun Ro, Julia Mercedes Roberts, Tommy Schaperkotter, Adam Strobel, Qin Ye Chen, Amanda Darmosaputro, Elif Erez Contact Us: e: mp@designstudiopm.com p: 617-356-7965</image:caption>
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  <url>
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    <lastmod>2020-12-19</lastmod>
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      <image:title>Architecture and the Liberal Arts - Architecture and the Liberal Arts: A presentation of design pedagogy within Harvard Undergraduate Architecture Studies</image:title>
      <image:caption>in discussion with Christina Crawford, Emory University; Elijah Huge, Wesleyan University and Bimal Mendis, Yale University on a Special Focus Panel at Black Box: Articulating Architecture’s Core, the 107th Annual American Collegiate Schools of Architecture (ACSA) Conference - Pittsburgh, PA / spring 2019 pedagogy awarded a Harvard HILT Spark Grant for “Making Spaces,” 2017, co-authored with Lisa Haber-Thomson “What we’ve promoted in our undergraduate design courses is the teaching through various scales of design experimentation what is specific to the discipline of architecture, but we emphasize architectural things that can productively kiss other disciplines. Rather than a dilution of architecture amidst everything else, we teach through what is architecturally specific but more portable to other disciplines.”</image:caption>
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      <image:title>WFH Wormholes</image:title>
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      <image:caption>Harvard Design Magazine No. 43 “As objects evolve into representations of knowledge and order - through the private and into the public - a collection becomes an archive. If activated through specific details, namely open display and regular engagement in the interactive laboratory of home, the contents of storage have the power to engage in the production of cultural meaning. Storage, as evidenced by these examples, contain the potential to jump from the private domestic sphere to that of the civic collective realm.”</image:caption>
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    <loc>https://www.designstudiopm.com/fiveonfiveno8</loc>
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    <lastmod>2020-12-18</lastmod>
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      <image:title>FiveonFiveNo8 - Five on Five Series poster designed by molletgeiser</image:title>
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      <image:caption>co-authored with Daniel Rauchwerger for Harvard Design Magazine No. 41 “Control points are the weighted points used to shape a line or surface when designing in Rhino. They are not located directly on the line or the surface, but define it from a distance. This distance between control point and line is similar to the gap inherent in housing design. Living is by nature unpredictable and idiosyncratic. Yet in designing housing there is a tension between this unpredictability and our aspirations to frame spaces of inhabitation with a degree of control and intention. Rather than prescribing inhabitation, a range of architectural devices act as spatial cues for living - a designed point of some control at some distance.”</image:caption>
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    <lastmod>2021-01-22</lastmod>
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      <image:caption>Harvard Office of the Vice Provost for Advances in Learning In her Transformations course, Assistant Professor of Architecture Megan Panzano uses architectural design methods and concepts, and a workshop approach for giving feedback, to engage undergraduates from a wide range of concentrations. When students translate abstract ideas into physical form through a variety of materials and fabrication techniques (see photos), they confront limits, question assumptions, and expand their problem-solving capacity… By working within material constraints, generating new options, and learning together, students’ perspectives are transformed. “This process is a micro-version of translating observations of the world into the world.</image:caption>
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      <image:caption>﻿Architect Magazine interview on teaching and practicing architecture, April 2018 For Megan Panzano, founder of Boston-based studioPM and a full-time assistant professor of architecture at Harvard University Graduate School of Design, finding an overlap between design work and course work has been crucial to her success. “My practice has grown from the teaching,” Panzano says. “We are small by design and the types of projects that I take on are those that still have a real rootedness in things that I’ve been working on in the academic setting.” Teaching can also offer an opportunity to step away from a project and clear your head. “It’s not like things stop, but I can think about the project in the background and not be forced to actively make decisions on it.” Panzano says, “Teaching always helps me be that much more decisive and committed to the next design edit or iteration I wanted to look at when I returned to that project.”</image:caption>
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      <image:caption>December 20, 2019 Text by Travis Dagenais / Photographs by Kris Snibbe</image:caption>
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      <image:title>Seeing The Unseen - Frameworks of Future-Focused Architecture</image:title>
      <image:caption>Harvard Landmarks HAA 11 Lecture Series, spring 2021, “Seeing the Unseen” and “studioPM” “Architecture can zoom out…it can build from the frameworks that shape our typical actions, so that these frameworks are made visible for adjustment in order to influence change on a fundamental level, with a future focus.  This involves designing with anticipation of change, to evolve through our models of imaging and building in order to keep pace with an unstable and diverse world.  But, critically, we have to first see and engage those frameworks as a medium of architectural design. In each of the works shared here, a structure is built that creates a space of active questioning in the face of pressures of repetition, convention, and familiarity that otherwise threaten to fix it.”</image:caption>
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    <lastmod>2023-11-10</lastmod>
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      <image:title>Views, With Rooms Book - Views, With Rooms book</image:title>
      <image:caption>Forthcoming publication on a charged array of optical objects and their influence over seeing and shaping form and space. developed from Expanded Views, With Rooms design research project and Views, With Rooms advanced design seminar, Harvard GSD spring 2021; project team Elif Erez and Stephanie Rae Lloyd</image:caption>
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